Abstract: Indian cinema has increasingly embraced interregional narratives to explore questions of identity, belonging, and cultural diversity. Param Sundari (2026), directed by Tushar Jalota, presents a romance between protagonists from North India and Kerala, using cultural difference as both a narrative catalyst and a site of ideological negotiation. While the film celebrates India's plurality through comedy, romance, and visually rich depictions of Kerala, it....
Keywords: Cultural Identity, Representation, Kerala, Regional Cinema, Stereotypes, Internal Orientalism, Hybridity, Indian Cinema, Cultural Studies
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